CD Review – Good Evening New York City marred by auto-tune

I’ve been listening to the newly released two-disc audio CDs of Paul McCartney’s Good Evening New York City this week and I have to say that I’m pretty disappointed by the blatant use of auto-tune (pitch correction software) on Paul’s vocals. yes, I understand that auto-tune is pretty much standard practice nowadays in the pop music industry but for an iconic voice as Paul’s, the tell-tale signs of auto-tune just ruins for me. I personally would have preferred bum-notes and all for this live document of McCartney’s July 2009 gigs at Citi Field in NYC. We all know McCartney is 67 and his voice isn’t what it used to be so we don’t expect his vocals to be perfect. So why try to artificially make it so in post-production? I can accept Sir Paul going back into the studio to overdub vocal parts because that’s the nature of the beast (and he’s done that with past releases like Wings over America and Tripping the Live Fantastic) but to utilize auto-tune (or Melodyne, another pitch correction tool) and make Paul sound like a cyborg, is a big mistake if you ask me. The tell-tale signs vary throughout the performance with some songs being more heavily treated than others. Listen for it on songs like “Got to Get You Into My Life”, “Let it Be”, “I’ve Got a Feeling” and “Paperback Writer”. Again, some folks may not know what to listen for so this may not be a bother to some ears but it sure does bother mine. I’m personally going to seek out the audio of the pay-per-view broadcast of Paul’s show in Halifax (11Jul09). From what I’ve heard, McCartney and band sounded great that night and the BIG PLUS is the fact that it’s a more TRUTHFUL document of his show with NO auto-tune to mar the experience!
But if you can get past the artificial quality of Paul’s vocals, there are some positives. The band sounds tight and it’s great to hear songs like “Mrs. Vandebilt”, “I’m Down”, “Calico Skies” and “Only Mama Knows”. And the “Sgt. Peppers/The End” combo is always a great way to end the show. You can’t go wrong there. Another positive is the fact that the CD isn’t mastered “loud”. No signs of brickwalling here, thank goodness.
Before I end this, I DO have to mention one more thing which has to do with Wix’s synth patches. Wix has been with Paul since the 1989 tour and from the sound of it, he hasn’t updated his keyboard sounds since that time. I assume that sampling technology has progressed during the time since then but his “horn” samples in songs like “Got to Get You Into My Life” and his “sax synth” solo during “Lady Madonna” sound just like it did on the first tour. In other words, the synths sound dated now. ..and a bit cheesy. Weird, since I’m sure Wix can afford all the newest gear. so what gives?
I haven’t had a chance to view the DVD portion of this release in any detail but I suspect the visual aspect will help take the focus off the auto-tuned vocals. Well, at least I hope so, anyway.
RetroGrade: C (for the audio CD)
Good Evening New York City
Released: November 17, 2009 (U.S.)
label: Hear Music/Concord Music Group



